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Giclee

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created by Divine Light, sustained by Divine Light, surrounded by Divine Light, ever growing into Divine Light.    Swami Rhada

    

 

 

    

 

 

 

      

 

GICLÉE PRINTS


Giclée (pronounced 'ji-clay') prints use a plateless method of fine art reproduction. The word "Giclée" is French for "sprayed-on" and refers to the colored ink-jet process.

Giclée prints take the 'middle ground' between the original paintings and the traditional, four-color, offset lithographic print. The process involves photographing the original image with a Digital Camera to produce computer data that drives a high-resolution, ink-jet printer. The printer has been designed specifically to produce Giclée prints. Pigmented, '200 year', Archival, Printing Inks are used to create the Giclée prints. As with original paintings, care should be taken not to subject the Giclée prints to extended periods of direct sunlight.

The printer sprays millions of microscopic droplets of four colors (cyan, magenta, yellow and black) onto textured, archival, coated, watercolor paper or canvas. The result is a virtually continuous-tone image, rather than the dot, or rosette, pattern of other printing methods. Thus the print accurately captures, or even enhances, the colors, sharpness and texture of the original painting. The artist and the printer confer on progressive colour corrections and proofs before the artist approves the final image.

Giclée editions are printed one at a time, and are now objects of fine art collections. Giclée prints portray authentic images of the original paintings. Thus, they are being used by major galleries in place of originals, when it is preferable to minimize the light exposure of those originals.

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Copyright © 2005, 2006, 2007  Arlene Dalton, The Dalton W.A.Y
Last modified: 27/02/2008